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Kuru Otlar Üstüne (2023)
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Quand la mer monte... (2004)
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Televizija kot ustvarjalna sila (2025)

Televizija kot ustvarjalna sila -
shelf mark: 9022
archive: CTF Archives
item type:
borrowing policy: original - not available
Keywords/Index entries: television television directing television technology Pre-Production Post-Production
Summary:Television drama, as an audiovisual narrative form, encompasses numerous subgenres, all characterized by a focus on emotionally nuanced storytelling and the depth of actor’s performances. In this context, the director assumes a pivotal role, shaping a coherent artistic vision that integrates multiple dimensions of production. This includes selecting actors, guiding performances, coordinating dramaturgy and emotional development, and harmonizing technical elements. The careful alignment of these components is essential for realizing television drama as a sophisticated and multifaceted artistic form. Among contemporary production methods, multi-camera techniques play a particularly important role. By recording scenes simultaneously from multiple angles, this approach captures action in real time while providing a variety of perspectives. It allows for dynamic storytelling and the selection of optimal shots without the need for reshooting, thereby enhancing both efficiency and narrative fluidity...
Opombe:Filmsko in televizijsko ustvarjanje - Televizijska režija
Igor Šmid (Mentor)
Damir Vintar (Author)
loan status: in place

Links with projects:
Creme brulée (2024, TV drama)


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Idea: Simona Ješelnik, Tanja Premk Grum, Martin Srebotnjak, Barbara Sušec-Michieli
© 2004, 2026 by UL AGRFT & Martin Srebotnjak. All Rights Reserved.
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