Official working hours of both Theatre Archive and Videotheque:| Monday | 10am-1pm | | Wednesday | 10am-1pm |
Édouard Louis, ou la transformation (2022)
Historias para no contar (2022)
Šterkijada (2023)
Homo-mensura - Projekcija in pogovor o Filipu Kalanu Kumbatoviču (2024)
3. AGRFT festival - 2024 (2024)
A8821 - Pisna naloga (2024, entrance exam paper)
A8820 - Dogodek v mestu Gogi (2024, entrance exam paper)
A8819 - Kovček (2024, entrance exam paper)
A8818 - Perpetum mobile (2024, entrance exam paper)
A8617 - Akademijski list UL AGRFT 2023/2024, letnik XI, št. II - pdf. (2024, playbill)
Salt of the Earth, The (2014)
Freudlose Gasse, Die (1925)
Pina (2011)
Nostalghia (1983)
Blue Velvet (1986)
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Igor Koršič (1947-) 
References: IMDb
Projects:
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Družinski posnetki (Director) |
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Questions... (Interviewee) |
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Modri Angel (1989, Playwright, Dramaturg) |
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Framing. A Symposium on Cinematography / Kadriranje (1990, Featured) |
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Babica gre na jug / Grandma Goes South (1991, Actor) |
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Jože Babič - pogovor s Koršičem (1994, Featured) |
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Vilmoz tiskovna konferenca / Filmski interv. (1997, Director) |
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Gibljive slike - 17. fest. Muenchen / AGRFT filmi tvs 28.1.98 (1998, Featured) |
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Framing / Kadriranje (1998, Author) |
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Suso Cecchi D'Amico - predavanje na AGRFT / Scenaristika - neorealizem (1998, Featured) |
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Abesinija / Abyssinia (1998, Screenwriter) |
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Varuh meje / Guardian of the Frontier (2002, Actor) |
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Quick View / Quick View (2005, Actor) |
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Pitching (2007, Lecturer) |
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Rerberg i Tarkovski. Obratnaja storona Stalkera / Rerberg and Tarkovsky. The Reverse Side of 'Stalker' (2008, Dramaturg) |
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Karst, The - Life Between Heaven and Hell (2009, Participating) |
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Nevidna sled onkraj objektiva kamere (2009, Featured) |
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Miklos Jancso - Writing With Camera (2010, Director) |
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Makavejev o filmu (2011, Participating) |
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Nad mestom se dani / Sunrise Over the City (2011, Actor) |
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Pobeg / Escape (2011, Actor) |
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Pogovor z Zeldovičem in Perryjem (2011, Interviewer) |
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Protestni zbor akademske skupnosti AG, AGRFT in ALUO, članic Univerze v Ljubljani (2012, Featured) |
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Do dna (2012, Featured) |
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Filmski almanah (2012, Featured) |
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MAKO. (2013, Featured) |
Mentoring Work:
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Zakaj jih nisem vse postrelil? / Way Didn't I Shoot Them All? (1990),
Gibljive slike / AGRFT TVS 18.1.98 REŽ.. U.Kos (1998),
Piesiewicz, K. - predavanje na AGRFT (1998),
Yvette Biro - predavanje na AGRFT (1998),
Ross, Dick - predavanje na AGRFT (3VHS) / 17.-18.05.1998 (1998),
Režiranje filmskega igralca (1999),
Portreta z ozadjem / Two Portraits With Background (2000),
Z ljubeznijo / With Love (2000),
Figurae veneris / Figuae Veneris (2000),
MyWay / MyWay (2000),
Nekoga moraš imeti rad / You Have to Love Somebody (2000),
Žile / Žile (2000),
Milagros / Milagros (2000),
Dvakrat na teden / Twice a Week (2000),
Flašofon / Bottlephone (2000) |
Items to borrow from AGRFT Archives: |
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A5503 - Dramatik Peter Božič - Predlog za UN Prešernovo nagrado (CD-ROM, Explanation Author) |
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A5638 - "Slovenska kinematografija je precej unikatna". (Article, Interviewee) |
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A4383 - O kulturi - Čisto nič posebnega (newspaper article, Journalist - Author) |
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A7052 - Karikature sodelavcev FTV oddelka za razstavo ob 70. letnici AGRFT (poster, Depictee) |
Items to borrow from AGRFT Archives (Mentoring):
A584 - Prvi celovečerni film: teorija in praksa (graduation thesis, Mentor),
A10584 - Prvi celovečerni film: teorija in praksa (graduation thesis, Mentor),
A623 - Avtopoetika - formalna ali realna filmska teorija (seminar - student paper, Mentor),
A655 - Dokumentarni film (seminar - student paper synopsis, Mentor),
A649 - Paul Auster - Od literature k filmu (seminar - student paper, Mentor),
A428 - Maškarada (seminar - student paper, Mentor),
A6121 - Svetloba in zvezde (seminar - student paper, Mentor),
A673 - Tri zgodbe (seminar - student paper, Mentor),
A594 - Novi roman v novem filmskem valu - Marguerite Duras (seminar - student paper, Mentor),
A649 - Pantomimične teme Charlia Chaplina (seminar - student paper, Mentor),
A682 - Jacques Tati in tehnika smeha (seminar - student paper, Mentor),
A669 - Iskanje novih izraznih možnosti filma (seminar - student paper, Mentor),
A843 - Francoski novi val (seminar - student paper, Mentor),
A744 - Novele Cirila Kosmača v filmih (seminar - student paper, Mentor),
A1279 - Filmsko delo slikarja Božidarja Jakca (seminar - student paper, Mentor),
A1331 - Sedem kratkih filmov Franceta Kosmača (seminar - student paper, Mentor),
A1355 - Živojin Pavlović (graduation thesis, Mentor),
A1551 - Alf Sjoberg - Gospodična Julija : Drama - film (seminar - student paper, Mentor),
A1626 - Literarno delo Cirila Kosmača v slovenskem filmu (seminar - student paper, Mentor),
A1681 - Luis Bunuel (seminar - student paper, Mentor),
A1775 - Novi duh (project documentation, Mentor),
A2052 - Slovenski družbeno kritični kratki film (seminar - student paper, Mentor),
A2252 - Jugoslovanski partizanski film glede na razvoj družbene zavesti (seminar - student paper, Mentor),
A2389 - Pier Paolo Pasolini (seminar - student paper, Mentor),
A4223 - Odnos med kinematografsko podobo in haiku (seminar - student paper, Mentor),
A2118 - Življenje in delo Roberta Josepha Flahertya (seminar - student paper, Mentor),
A2138 - Celovečerni filmi Franceta Kosmača (seminar - student paper, Mentor),
A2121 - Celovečerni filmi Franceta Kosmača (graduation thesis, Mentor),
A2387 - Susan Sontag (seminar - student paper, Mentor),
A2388 - Vpliv filozofske misli na filmsko prakso (seminar - student paper, Mentor),
A2382 - Gospodična Julija - Strindberg - Sjoberg (seminar - student paper, Mentor),
A49 - Transcendentalni film (seminar - student paper, Mentor),
A2185 - Zvočna kulisa filma (seminar - student paper, Mentor),
A2175 - Filmske novice in filmski obzornik 45-51 (seminar - student paper, Mentor),
A2270 - Razvoj jugoslovanskega partizanskega filmskega junaka (seminar - student paper, Mentor),
A2246 - Uvod v transcendentalni film ali Obračun z materialistično filozofijo (seminar - student paper, Mentor),
A2176 - Znaki v filmih Romana Polanskega (seminar - student paper synopsis, Mentor),
A2178 - Splav meduze (seminar - student paper, Mentor),
A2180 - Igra v gledališču in na filmu (seminar - student paper, Mentor),
A2181 - Luis Bunuel - Ta mračni predmet poželenja (seminar - student paper, Mentor),
A2182 - Slovenski črni val (seminar - student paper, Mentor),
A2383 - Ženska vloga v novejšem jugoslovanskem filmu (seminar - student paper synopsis, Mentor),
A2384 - Zgodovina filma na Primorskem (seminar - student paper, Mentor),
A2575 - Ubij me nežno (seminar - student paper, Mentor),
A2394 - Nadrealno v filmih Luisa Bunuela (seminar - student paper, Mentor),
A2179 - Haiku lirika in kinematografična podoba pri Tarkovskem (seminar - student paper, Mentor),
A2399 - Alfred Hitchcock - Dvoriščno okno (seminar - student paper, Mentor),
A2272 - Geneza filma Na svoji zemlji (seminar - student paper, Mentor),
A2274 - Pokrajine v filmu Solaris in Svetloba v avgustu (seminar - student paper, Mentor),
A2574 - Filmska glasba (seminar - student paper synopsis, Mentor),
A2339 - Visconti in neorealizem. (seminar - student paper, Mentor),
A2273 - Sanjski elementi v Bunuelovih filmih (seminar - student paper, Mentor),
A425 - Pasolini kot teoretik filma (seminar - student paper, Mentor),
A2390 - Ženski film… da ali ne? (seminar - student paper, Mentor),
A2391 - Znanstveno fantastični film (seminar - student paper, Mentor),
A2392 - Film, umetnostni hibrid zgodovinskega materializma (seminar - student paper, Mentor),
A2396 - Filmski prispevki k politizaciji umetnosti (seminar - student paper, Mentor),
A2393 - Masaki Kobayashi (seminar - student paper, Mentor),
A2458 - Naš človek (seminar - student paper, Mentor),
A2459 - Pot (seminar - student paper, Mentor),
A2460 - Ingarden in film - Husserl in fenomenološka metoda (seminar - student paper, Mentor),
A2571 - Filmski idealizem (seminar - student paper, Mentor),
A2572 - Dokumentarni film in še kakšen (seminar - student paper synopsis, Mentor),
A2386 - Alain Resnais in Alan Robbe Grillet (seminar - student paper, Mentor),
A2377 - Tako dolga odsotnost - Leta odločitve (seminar - student paper, Mentor),
A2468 - WR ali Misterij organizma... (seminar - student paper, Mentor),
A162 - Paul Ricoeur - Hermeneutics and the Human Sciences (seminar - student paper, Mentor),
A163 - Paul Ricoeur - Hermeneutics and Social Sciences (seminar - student paper, Mentor),
A2549 - Problem scenarija v teoriji filma (graduation thesis, Mentor),
A2571 - Načrtovanje filmskega programa v Ljubljani (seminar - student paper synopsis, Mentor),
A2569 - Slepo polje in hermeneutična funkcija distanciranja (seminar - student paper, Mentor),
A2455 - Ovni in mamuti (seminar - student paper, Mentor),
A2456 - Balada o Narayami (seminar - student paper, Mentor),
A2573 - Poiskus razmišljanja o organizaciji slovenskega filma (seminar - student paper synopsis, Mentor),
A4446 - Changing structures for changing feelings (seminar - student paper, Mentor),
A426 - Proces nastajanja in odločanja tv projekta o Primožu Trubarju (seminar - student paper, Mentor),
A4449 - Sergio Leone: Bilo je nekoč v Ameriki (seminar - student paper, Mentor),
A4451 - Kader sekvenca (seminar - synopsis, Mentor),
A4453 - Odvečni čas (seminar - student paper, Mentor),
A4448 - Pojav zvočnega filma 1926-1932 (seminar - student paper, Mentor),
A533 - Ples v dežju in Peščeni grad Boštjana Hladnika (seminar - student paper, Mentor),
A4444 - Cahier du Cinema (seminar - student paper, Mentor),
A4454 - Zvočni film in ameriški studio sistem (seminar - student paper, Mentor),
A48 - (seminar - student paper, Mentor),
A51 - Michel Chion. Napisati scenarij ali filmska poetika (seminar - student paper, Mentor),
A46 - Jean-Jacques Beneix - Betty Blue (seminar - student paper, Mentor),
A47 - Matematizacija filma - Jugoslovanski neodvisni film (seminar - student paper, Mentor),
A51 - Michael Chion: Napisati scenarij ali filmska poetika (seminar - student paper, Mentor),
A4438 - Betty Blue (seminar - student paper, Mentor),
A52 - Tkivo časa (seminar - student paper, Mentor),
A4447 - Čas v zgodovini (seminar - student paper, Mentor),
A4443 - Barvni film: 1926 do 1932 (seminar - student paper, Mentor),
A4450 - Pisanje za Viscontija (seminar - student paper, Mentor),
A4458 - Montaža in ontološka vrednost filmske slike v reklamnih filmih Jake Judniča (seminar - student paper, Mentor),
A4437 - Zvok balalajk na strunah teniških loparjev (seminar - student paper, Mentor),
A4436 - Estetska misel Erica Rohmerja (seminar - student paper, Mentor),
A4457 - Modri angel: primerjava postopkov filmske in gledališke režije (graduation thesis, Mentor),
A4441 - Ridley Scott - Blade Runner (seminar - student paper synopsis, Mentor),
A55 - Milton Manaki - pionir domačega filma (seminar - student paper, Mentor),
A424 - Estetika slovenskega filma (seminar - student paper synopsis, Mentor),
A4455 - Magična iluzija Ingmarja Bergmana (graduation thesis, Mentor),
A88 - Film in gledališče (seminar - student paper, Mentor),
A89 - Konec humanizma (seminar - student paper, Mentor),
A4442 - Težave s Harryjem (seminar - student paper synopsis, Mentor),
A95 - Mike Nichols: Diplomiranec (seminar - student paper, Mentor),
A93 - Film in literatura (seminar - student paper, Mentor),
A54 - Traktat v novi luči - Etično obeležje (seminar - student paper, Mentor),
A93 - Film in literatura (seminar - student paper, Mentor),
A4445 - Jean Mitry in Noel Burch (seminar - student paper, Mentor),
A56 - Peter Weir in njegov filmski opus (seminar - student paper, Mentor),
A88 - Film in gledališče (seminar - student paper, Mentor),
A69 - Wim Wenders: Nebo nad Berlinom (seminar - student paper, Mentor),
A99 - Duša Počkajeva v filmu (seminar - student paper, Mentor),
A86 - Narativna funkcija Paula Ricoeurja (seminar - student paper, Mentor),
A50 - Mesto in njegov dvojnik (seminar - student paper, Mentor),
A96 - Začetki in prvi uspehi lutkovnega filma (seminar - student paper, Mentor),
A97 - Filmsko gledališke pararele (seminar - student paper, Mentor),
A91 - Odiseja v vesolju 2001 (graduation thesis, Mentor),
A96 - Začetki in prvi uspehi lutkovnega filma (seminar - student paper, Mentor),
A98 - Peter Greenaway in pravila igre (seminar - student paper, Mentor),
A90 - Nevarna razmerja med filmom in literaturo (seminar - student paper, Mentor),
A72 - Fassbinderjeva filmska strategija - Lili Marlen kot subverzivni umetniški produkt (seminar - student paper, Mentor),
A4445 - Gruntovčani (seminar - student paper, Mentor),
A94 - Stanley Kubrick - Odiseja v vesolju 2001 (seminar - student paper, Mentor),
A429 - Blade Runner ali filozofična melodrama (seminar - student paper, Mentor),
A130 - Sanje in Newyorške zgodbe (seminar - student paper, Mentor),
A133 - Duša Počkaj v slovenskem filmu (seminar - student paper, Mentor),
A104 - Hamlet - Ameriški prijatelj (seminar - student paper, Mentor),
A101 - Italijanski neorealizem (seminar - student paper, Mentor),
A171 - Neznana pota filmske teorije (seminar - student paper, Mentor),
A128 - Jean Collet: Teorije niso zato, da bi delovale (seminar - student paper, Mentor),
A92 - Stefano Masi - Barve svetlobe (seminar - student paper, Mentor),
A97 - Filmsko gledališke pararele (seminar - student paper, Mentor),
A124 - Supernaturalizem Bunuelovega Andaluzijskega psa (seminar - student paper, Mentor),
A94 - Stanley Kubrick: Odiseja 2001 (seminar - student paper, Mentor),
A92 - Stefano Masi: Barve svetlobe (seminar - student paper, Mentor),
A131 - Filmski reklamni spot, kot možna mitska struktura (seminar - student paper, Mentor),
A131 - Filmski reklamni spot kot možna mitska struktura (seminar - student paper, Mentor),
A102 - Naslov v igranem filmu (seminar - student paper, Mentor),
A103 - Renoir: poetika (seminar - student paper, Mentor),
A100 - Telo - prostor - filmska podoba (seminar - student paper, Mentor),
A127 - Lutkovnost in animirani film (seminar - student paper, Mentor),
A132 - For a few dollars more (seminar - student paper, Mentor),
A167 - Letna kronika ljubljanskih kinodvoran (seminar - student paper, Mentor),
A168 - Zoževanje prostora (seminar - student paper, Mentor),
A170 - Off prostor Bartona Finka (seminar - student paper, Mentor),
A176 - The Silence of the Lambs (seminar - student paper, Mentor),
A164 - Filmska podoba v postmodernizmu (seminar - student paper, Mentor),
A118 - Sladka strast periferije (graduation thesis, Mentor),
A173 - Filmi tretjega tisočletja ali preroškost Lyncha, Coenov, Triera (seminar - student paper, Mentor),
A174 - Barton Fink (seminar - student paper, Mentor),
A175 - Barton Fink: Naracija (seminar - student paper, Mentor),
A166 - Barton Fink (seminar - student paper, Mentor),
A169 - Moje mnenje o filmu Barton Fink (seminar - student paper, Mentor),
A430 - Znak, simbol, arhetip, kliše; Kratka forma in postmoderna (masters thesis, Mentor),
A165 - Džehenem (seminar - student paper, Mentor),
A277 - Barton Fink (seminar - student paper, Mentor),
A237 - Vampirji v filmu (seminar - student paper, Mentor),
A275 - Rohmer - Zbiralka (seminar - student paper, Mentor),
A230 - Vittorio De Sica: Umberto D (seminar - student paper, Mentor),
A227 - Tako to gre (seminar - student paper, Mentor),
A228 - Tati, Hulot in zvok (seminar - student paper, Mentor),
A271 - Dialog v slovenskih mladinskih filmih (seminar - student paper, Mentor),
A276 - Češnjev vrt (seminar - student paper, Mentor),
A229 - O adaptaciji, backih, Herbertu, Dune in še o čem (seminar - student paper, Mentor),
A232 - Max Reinhardt in nemški film (seminar - student paper, Mentor),
A431 - Dramaturgija kratkega igranega filma (seminar - student paper, Mentor),
A274 - Element vode v filmih Petra Greenawaya (seminar - student paper, Mentor),
A231 - Ples v dežju (seminar - student paper, Mentor),
A239 - Telo - prostor - filmska podoba - stil (seminar - student paper, Mentor),
A278 - Morana (seminar - student paper, Mentor),
A235 - Ples v dežju (seminar - student paper, Mentor),
A275 - Zbiralka (seminar - student paper, Mentor),
A277 - Barton Fink ali vstop skozi ogledalo (seminar - student paper, Mentor),
A265 - Dokumentarni film (seminar - student paper, Mentor),
A234 - Makedonsko svetovni film (seminar - student paper, Mentor),
A254 - Pedro Almodovar (seminar - student paper, Mentor),
A258 - Slovenski film - Intervjuji (seminar - student paper, Mentor),
A259 - Filmska kritika in kritika filma (seminar - student paper, Mentor),
A260 - Pripovedovati zgodbo (seminar - student paper, Mentor),
A261 - John Waters, pacient ali mojster kiča (seminar - student paper, Mentor),
A262 - Off prostor, slepo polje (seminar - student paper, Mentor),
A263 - Ekspresionizem v nemem filmu (seminar - student paper, Mentor),
A264 - Krožna dramaturgija fraktalov (seminar - student paper, Mentor),
A238 - Dva slovenska pogleda na umetniške možnosti filma v norih dvajsetih (seminar - student paper, Mentor),
A236 - F. W. Murnau in Nosferatu (seminar - student paper, Mentor),
A318 - Cinema paradiso (seminar - student paper, Mentor),
A273 - Dobri, stari pianino (seminar - student paper, Mentor),
A316 - Zaprite oči, pa boste videli (seminar - student paper, Mentor),
A315 - Luis Bunuel - nadrealizem v filmu (seminar - student paper, Mentor),
A322 - Filmska izrazna sredstva in oblikovanje (seminar - student paper, Mentor),
A318 - Cinema Paradiso (seminar - student paper, Mentor),
A319 - Filmska režija (seminar - student paper, Mentor),
A321 - Esse est percipi (seminar - student paper, Mentor),
A310 - Prerez čez trenutno podobo na slovenskem filmskem tržišču (seminar - student paper, Mentor),
A311 - Lawrence Kasdan & Co. (seminar - student paper, Mentor),
A312 - Mr. Manhattan (seminar - student paper synopsis, Mentor),
A314 - Nostalgija (seminar - student paper, Mentor),
A323 - Take ideje uspevajo samo v slabih filmih in komedijah (seminar - student paper, Mentor),
A313 - Macbeth na filmu (seminar - student paper, Mentor),
A314 - Film Andreja Tarkovskega Nostalgija (seminar - student paper, Mentor),
A317 - Filmske ženske (seminar - student paper, Mentor),
A372 - Quentin Tarantino - pesnik hemoglobina (synopsis, Mentor),
A378 - Čas in konec koncev (seminar - student paper, Mentor),
A380 - Delikatesna ponudba kanibalizma (seminar - student paper, Mentor),
A379 - Heavenly Creatures (nebeška bitja) (seminar - student paper, Mentor),
A374 - Erotika VS pornografija (seminar - student paper, Mentor),
A376 - Propad zvezde ali problem igralca v dobi elektonskih medijev (seminar - student paper, Mentor),
A377 - Filmske ženske II. (seminar - student paper, Mentor),
A373 - Koncert nebeških bojevnikov (seminar - student paper, Mentor),
A375 - Fantazija odraslih otrok (seminar - student paper, Mentor),
A369 - Eh Joe - Beckettov scenarij za TV igro (seminar - student paper, Mentor),
A10648 - Nič več solza (seminar - student paper, Mentor),
A10317 - Nudisti na poti v park (seminar - student paper, Mentor),
A634 - Woody Allen - Pavliha, genij ali mravlja? (seminar - student paper, Mentor),
A578 - Maya Deren (seminar - student paper, Mentor),
A660 - Filmska igra (seminar - student paper, Mentor),
A643 - Ciklon (seminar - student paper synopsis, Mentor),
A10666 - Pavarotti - Pehtran (seminar - shooting script, Mentor),
A646 - B. Bertolucci: Čaj v Sahari (seminar - student paper, Mentor),
A624 - Filmska igra (seminar - student paper, Mentor),
A625 - Spolnost v filmu (seminar - student paper, Mentor),
A630 - Vamp dekle (seminar - student paper, Mentor),
A637 - Aki Kaurismaki in Calamari Union (seminar - student paper, Mentor),
A627 - Ali androidi sanjajo elektr.sanje (seminar - student paper synopsis, Mentor),
A10665 - Možnosti (seminar - student paper, Mentor),
A632 - Hemoglobin v filmski emulziji (seminar - student paper, Mentor),
A823 - John Boorman in Deliverance (seminar - student paper, Mentor),
A423 - Vizualizacija (seminar - student paper, Mentor),
A438 - Italijanski neorealizem (graduation thesis, Mentor),
A652 - Stili igre (seminar - student paper, Mentor),
A626 - Tod Browning (seminar - student paper, Mentor),
A816 - Življenje je lepo (seminar - student paper, Mentor),
A636 - Od ideje do scenarija (seminar - student paper, Mentor),
A647 - Miloš Forman: Črni Peter (seminar - student paper, Mentor),
A647 - Črni Peter - Aaahoj, poba (seminar - student paper, Mentor),
A667 - Four Rooms (seminar - student paper, Mentor),
A633 - Anagram Maye Deren (seminar - student paper, Mentor),
A641 - Scorsese in skušnjava (seminar - student paper synopsis, Mentor),
A662 - Glasba v filmu (seminar - student paper, Mentor),
A668 - Urga (seminar - student paper, Mentor),
A663 - Motivika živali v filmu Natural Born Killers (seminar - student paper, Mentor),
A658 - Natural Born Killers (seminar - student paper, Mentor),
A648 - Jim Jarmusch: Dead Man (seminar - student paper, Mentor),
A745 - Hal Hartley: Simple man (seminar - student paper, Mentor),
A656 - Idioti (seminar - student paper, Mentor),
A506 - Kot bi trenil z očesom (seminar - student paper, Mentor),
A651 - Tretji človek, tretja ženska (seminar - student paper, Mentor),
A657 - V leru (seminar - student paper, Mentor),
A10661 - Predstavitev filma Rojena morilca (seminar - student paper, Mentor),
A659 - V kraljestvu Zlatoroga (seminar - student paper, Mentor),
A653 - Govorjena pripoved (seminar - student paper, Mentor),
A642 - Govorica svetlobe (seminar - student paper synopsis, Mentor),
A10585 - "Onkraj" v igranem filmu (seminar - student paper, Mentor),
A670 - Esej o kriku stene Wernerja Herzoga (seminar - student paper, Mentor),
A653 - Govorjena pripoved (seminar - student paper, Mentor),
A638 - Grenka luna (seminar - student paper, Mentor),
A639 - Tri barve: naključje v rokah režiserja (seminar - student paper synopsis, Mentor),
A640 - Naključje v rokah režiserja (seminar - student paper, Mentor),
A650 - Shine (seminar - student paper, Mentor),
A654 - Lulu on the Bridge (seminar - student paper, Mentor),
A629 - Problemi slovenskega filma (seminar - student paper, Mentor),
A4982 - Figurae veneris (shooting script, Mentor),
A743 - Milagros (seminar - screenplay, Mentor),
A742 - Figurae veneris (seminar - screenplay, Mentor),
A818 - Dokumentarni scenarij (seminar - screenplay, Mentor),
A815 - Bolje ne bo nikoli (seminar - student paper, Mentor),
A618 - Flašon (seminar - screenplay, Mentor),
A4100 - Črnci v komediji (seminar - student paper, Mentor),
A4338 - Avdicija in Slačenje (seminar - student paper, Mentor),
A10671 - Se spominjaš Annie Hall? (graduation thesis, Mentor),
A9669 - Ekstaza časa (seminar - student paper, Mentor),
A4864 - M - stalni lik morilca skozi zgodovino filma (seminar - student paper, Mentor),
A4101 - Richard Eyre: King Lear (1997) (seminar - student paper, Mentor),
A4865 - Samomor in češnje (seminar - student paper, Mentor),
A3662 - Filmski opus Franceta Štiglica (, Mentor),
A720 - Poti in stranpoti (seminar - student paper, Mentor),
A4197 - Potovanje v srednji svet. Filmska trilogija Gospodar prstanov. (seminar - student paper, Mentor),
A5065 - Umeščenost Miloša Formana v novi val češkoslovaškega filma (seminar - excercises, Mentor),
A5066 - Dogville (seminar - excercises, Mentor),
A5552 - Pedro Almodovar: Njegovi posiljeni ženski ali Kika ali Govori z nji (seminar - student paper, Mentor),
A5553 - Draga Wendy (seminar - student paper, Mentor),
A5357 - Sex and the City, 1 (seminar - student paper, Mentor),
A4627 - Kasper Hauser (seminar - student paper, Mentor),
A5067 - Dogville (seminar - excercises, Mentor),
A5358 - Sex and the City, 2 (seminar - student paper, Mentor),
A5347 - Režijski postopki v filmih Stanleya Kubricka (seminar - excercises, Mentor),
A5379 - Fantom svobode (seminar - student paper, Mentor),
A5348 - Adaptacije kratkih zgodb v scenarije na primerih: Skrbnik, Grobarček in Slonček (seminar - excercises, Mentor),
A4945 - Mokumentarni film (masters thesis, Mentor),
A5258 - Začetki slovenskega televizijskega lutkarstva (masters thesis, Mentor),
A5275 - Produkcija nizkoproračunskega celovečernega filma (seminar - excercises, Mentor),
A5741 - Transcendentalni film (graduation thesis, Mentor),
A7830 - Ameriški neodvisni film (, Mentor),
A7808 - Ion. Od lune do čolna in do zvezd (, Mentor),
A7809 - S filmom do zdravja (, Mentor),
A7766 - Podkast - Medijski fenomen na presečišču umetnosti, družbe in tehnologije (, Mentor),
A7783 - Ali potrebujemo javni TV servis? (, Mentor),
A7810 - Delci nekdanjosti (, Mentor) |
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Idea: Simona Ješelnik, Tanja Premk Grum, Martin Srebotnjak, Barbara Sušec-Michieli
© 2004, 2024 by UL AGRFT & Martin Srebotnjak. All Rights Reserved.
All data & media contained herein are property of UL Akademija za gledališče, radio, film in televizijo.
Permission for any kind of use must be granted from UL AGRFT in written form.
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Walter Ruttmann (28.12.1887-15.7.1941)
Max Steiner (10.5.1888-28.12.1971)
Friederich Wilhelm Murnau (28.12.1888-11.3.1931)
Sam Peckinpah (21.2.1925-28.12.1984)
Stevo Žigon (8.12.1926-28.12.2005)
In Slovenian Theatre Catalogue you can search for theatre performances by production company or theatre season.
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